Kevin Feige Persuaded Not To Cut This ‘Corny’ ‘Doctor Strange In The Multiverse Of Madness’ Scene By Sam Raimi

Sam Raimi wanted to make the MCU more “Strange-r”

During the “Doctor Strange in the Multiverse of Madness” commentary track, the “Evil Dead” and “Spider-Man” director revealed that he had to convince Marvel Studios president Kevin Feige to include a particularly bizarre sequence involving Doctor Strange (Benedict Cumberbatch) and Baron Mordo (Chiwetel Ejiofor).

The adversaries engage in a staredown, with close-ups of their eyes darting back and forth, á la Raimi’s “The Quick and the Dead,” but Feige was skeptical of the sequence’s silliness.

“I think Kevin thought maybe it was a little corny, and he wanted to cut it out,” Raimi stated through Comic Book Resources.

But I said, “Please, Kevin, let me have that.” He said, “OK, fine, have your corny stuff. It was very, very kind of him.”

It’s no surprise that Raimi is already planning his next Marvel film, with the director previously referring to the MCU as the “world’s best toy box.”

Meanwhile, “Doctor Strange in the Multiverse of Madness” writer Michael Waldron has openly stated that he wants the “Doctor Strange” sequel to feel like a Raimi film, even if the director isn’t writing it.

“It was always kind of designed that way,” he revealed, “that like the first half or so, maybe is a little bit more of a traditional Marvel movie, and then the movie goes off the rails, as great horror movies may tend to do.”

“We tried to deliver on the shock, some of the camp, and some of the stuff that Sam is just so great at. I just became a student of his filmmaking and really learned so much from him and tried to give him something he could succeed with, he and our great cast.”

Waldron went on, “I felt a lot of freedom to go crazy in this movie because it was Sam, and because I know what he’s so great at and he would do it so well.

I just gave him the building blocks and some of the specifics of how that stuff goes down, (but it) was straight out of his twisted mind.”

Even Waldron was taken aback by what made it into the film:

“It felt like the biggest swing I could possibly take in my first draft and almost the sort of thing of like, ‘Alright, first draft, you can really fire all your bullets and they’ll tell you to pull back and then, shockingly, maybe it makes its way into the movie.'”

Waldron elaborated, “I don’t even think in my wildest dreams, even in that first draft, where it’s like, do the craziest stuff possible, did I think we’d be able to do what we ended up doing in the movie. I think what we pulled off is crazier than what seemed possible.”